ABOUT
Her work moves between image-making and editing, exploring how light, rhythm, and colour shape emotional experience. Working across both camera and post-production, she approaches filmmaking as a continuous process in which visual decisions develop over time rather than being fixed in advance.
She has experience in cinematography, editing, and colour grading across short films, commercials, and documentary projects.
Her practice is guided by an interest in process, focusing on how meaning can emerge through duration, attention, and the accumulation of small details. She is particularly interested in the relationship between cinematography and editing, and how their interplay shapes rhythm, tone, and emotional resonance.
Her work often focuses on intimate, human-centred narratives, with an emphasis on atmosphere, gesture, and subtle emotional shifts. She is interested in collaborative, visually driven projects that explore identity, memory, and lived experience.
INFORMATION: